|
|
|
|
|
Beatrice addressing Dante from her Wagon
Painting ID:: 33822
|
William Blake
Beatrice addressing Dante from her Wagon
mk86
c.1824-1826
Aquarell
36.5x52cm
London,Tate Gallery
|
| |
|
|
|
|
|
|
|
|
|
Joseflasst Simeon tie up
Painting ID:: 39394
|
William Blake
Joseflasst Simeon tie up
mk148
around 1785, sound the testaments of the twelve patriarchs Simeon was held because he had tried to kill Josef
|
| |
|
|
|
|
|
|
|
|
|
The Ancient of Days
Painting ID:: 40622
|
William Blake
The Ancient of Days
mk156
1794
Etching in relief with watercolour
23.3x16.8cm
|
| |
|
|
|
|
|
|
|
|
|
Pity
Painting ID:: 40624
|
William Blake
Pity
mk156
Watercolour heightened with ink on paper
42x54cm
|
| |
|
|
|
|
|
|
|
|
|
The Ancient of Days
Painting ID:: 40627
|
William Blake
The Ancient of Days
mk156
1794
Etching in relief with watercolour
23.3x16.8cm
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
William Blake
|
|
1757-1827
British
William Blake Galleries
William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.
|
|
Related Artists::.
| Carel Fabritus | Jan van de Capelle | Amandus Adamson | |
|
